{"id":819,"date":"2025-03-16T18:40:27","date_gmt":"2025-03-17T00:40:27","guid":{"rendered":"https:\/\/idesmac.net\/mrevistas\/?p=819"},"modified":"2025-05-06T13:05:34","modified_gmt":"2025-05-06T19:05:34","slug":"el-sonador-y-la-muerta-sonriente","status":"publish","type":"post","link":"https:\/\/idesmac.net\/mrevistas\/?p=819","title":{"rendered":"El so\u00f1ador y la muerta sonriente"},"content":{"rendered":"\n<p>El art\u00edculo presenta una narraci\u00f3n ambientada en la selva chiapaneca, en la comunidad lacandona de Naj\u00e1. A trav\u00e9s de un relato m\u00edstico y on\u00edrico, el protagonista experimenta visiones y encuentros con los dioses mayas, mientras explora los lazos entre la memoria, la identidad y el destino. La historia combina elementos del chamanismo, la espiritualidad maya y la cosmovisi\u00f3n ind\u00edgena con un trasfondo de realismo m\u00e1gico.<\/p>\n\n\n\n<p><strong>Palabras clave:<\/strong> Lacandones, sue\u00f1os, espiritualidad maya, realismo m\u00e1gico.<\/p>\n\n\n\n<p><strong>Referencia:<\/strong><br>\u00c1lvarez Qui\u00f1ones, F. (2019). <em>Narrativas de los Sures: El So\u00f1ador y la Muerta Sonriente.<\/em> Diversidad, (18), 120-131\u200b<\/p>\n\n\n\n<div class=\"wp-block-buttons has-custom-font-size is-layout-flex wp-block-buttons-is-layout-flex\" style=\"font-size:22px\">\n<div class=\"wp-block-button is-style-fill\" style=\"font-style:normal;font-weight:100\"><a class=\"wp-block-button__link has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/idesmac.net\/mrevistas\/wp-content\/uploads\/revistas\/18\/18_120_131.pdf\" style=\"color:#ffffff;background-color:#001e0e\" target=\"_blank\" rel=\"noreferrer noopener\">descargar art\u00edculo<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"color:#22d25f\" class=\"wp-block-genesis-blocks-gb-spacer gb-block-spacer gb-divider-solid gb-spacer-divider gb-divider-size-1\"><hr style=\"height:81px\"\/><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<div class=\"wp-block-group is-layout-grid wp-container-core-group-is-layout-1 wp-block-group-is-layout-grid\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El art\u00edculo presenta una narraci\u00f3n ambientada en la selva chiapaneca, en la comunidad lacandona de Naj\u00e1. A trav\u00e9s de un relato m\u00edstico y on\u00edrico, el protagonista experimenta visiones y encuentros con los dioses mayas, mientras explora los lazos entre la memoria, la identidad y el destino. La historia combina elementos del chamanismo, la espiritualidad maya [&hellip;]<\/p>\n","protected":false},"author":75,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[62],"tags":[56,34],"ppma_author":[160],"class_list":{"0":"post-819","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-boletin-18-articulos","7":"tag-articulos","8":"tag-revista-18","9":"entry"},"featured_image_src":null,"featured_image_src_square":null,"author_info":{"display_name":"Francisco \u00c1lvarez Qui\u00f1ones","author_link":"https:\/\/idesmac.net\/mrevistas\/?author=75"},"authors":[{"term_id":160,"user_id":75,"is_guest":0,"slug":"francisco-alvarez-quinones","display_name":"Francisco \u00c1lvarez Qui\u00f1ones","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/312ccb0bc22c89ba01bf3f9ec581271d?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","description":""}],"_links":{"self":[{"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/posts\/819","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/users\/75"}],"replies":[{"embeddable":true,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=819"}],"version-history":[{"count":3,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/posts\/819\/revisions"}],"predecessor-version":[{"id":1414,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/posts\/819\/revisions\/1414"}],"wp:attachment":[{"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=819"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=819"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=819"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=%2Fwp%2Fv2%2Fppma_author&post=819"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}