{"id":952,"date":"2025-03-12T10:54:06","date_gmt":"2025-03-12T16:54:06","guid":{"rendered":"https:\/\/idesmac.net\/mrevistas\/?p=952"},"modified":"2025-05-15T19:52:21","modified_gmt":"2025-05-16T01:52:21","slug":"musica-de-los-altos","status":"publish","type":"post","link":"https:\/\/idesmac.net\/mrevistas\/?p=952","title":{"rendered":"m\u00fasica de los altos"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-1 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-group is-nowrap is-layout-flex wp-container-core-group-is-layout-1 wp-block-group-is-layout-flex\">\n<p class=\"has-text-align-left\">El art\u00edculo expone c\u00f3mo desde la pr\u00e1ctica pedag\u00f3gica en territorios rurales se configuran espacios de resistencia cultural. La ternura se articula como una estrategia de cuidado colectivo y construcci\u00f3n de esperanza.<br><br><strong>Referencia APA:<\/strong><br>Esvin ESCOBAR, Claudia Mosqueda. (2016). m\u00fasica de los altos, (Diversidad 12), 31\u201333.<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-buttons has-custom-font-size is-layout-flex wp-block-buttons-is-layout-flex\" style=\"font-size:22px\">\n<div class=\"wp-block-button is-style-fill\" style=\"font-style:normal;font-weight:100\"><a class=\"wp-block-button__link has-text-color has-background has-link-color wp-element-button\" href=\"http:\/\/idesmac.net\/mrevistas\/wp-content\/uploads\/revistas\/12\/12_31_33.pdf\" style=\"color:#ffffff;background-color:#001e0e\" target=\"_blank\" rel=\"noreferrer noopener\">descargar art\u00edculo<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"color:#22d25f\" class=\"wp-block-genesis-blocks-gb-spacer gb-block-spacer gb-divider-solid gb-spacer-divider gb-divider-size-1\"><hr style=\"height:81px\"\/><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<div class=\"wp-block-group is-layout-grid wp-container-core-group-is-layout-2 wp-block-group-is-layout-grid\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El art\u00edculo expone c\u00f3mo desde la pr\u00e1ctica pedag\u00f3gica en territorios rurales se configuran espacios de resistencia cultural. La ternura se articula como una estrategia de cuidado colectivo y construcci\u00f3n de esperanza. Referencia APA:Esvin ESCOBAR, Claudia Mosqueda. (2016). m\u00fasica de los altos, (Diversidad 12), 31\u201333.<\/p>\n","protected":false},"author":102,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","footnotes":""},"categories":[68],"tags":[56,28],"ppma_author":[186,195],"class_list":{"0":"post-952","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-boletin-12-articulos","7":"tag-articulos","8":"tag-revista-12","9":"entry"},"featured_image_src":null,"featured_image_src_square":null,"author_info":{"display_name":"CLAUDIA MOSQUEDA L\u00e1zcares","author_link":"https:\/\/idesmac.net\/mrevistas\/?author=102"},"authors":[{"term_id":186,"user_id":102,"is_guest":0,"slug":"claudia-mosqueda-lazcares","display_name":"CLAUDIA MOSQUEDA L\u00e1zcares","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","description":""},{"term_id":195,"user_id":111,"is_guest":0,"slug":"esvin-escobar","display_name":"Esvin ESCOBAR","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/?s=96&d=mm&r=g","author_category":"","first_name":"","last_name":"","description":""}],"_links":{"self":[{"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/posts\/952","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/users\/102"}],"replies":[{"embeddable":true,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=952"}],"version-history":[{"count":3,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/posts\/952\/revisions"}],"predecessor-version":[{"id":1724,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=\/wp\/v2\/posts\/952\/revisions\/1724"}],"wp:attachment":[{"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=952"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=952"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=952"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/idesmac.net\/mrevistas\/index.php?rest_route=%2Fwp%2Fv2%2Fppma_author&post=952"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}